LATEST REVIEWS BY THE POPCORN PANEL
No-holds-barred reviews of movies, TV series, and streaming shows by Alex Cearns. 

KARATE KID: LEGENDS

Forty-one years after the release of the original ‘Karate Kid’ movie, the 2025 remake follows a similar formula: a teen boy skilled in martial arts picks up a nemesis and their rivalry culminates in a competition fight. Kung fu prodigy Li Fong (Ben Wang) moves from Beijing to New York City with his mother, Dr. Fong (Ming-Na Wen). He makes friends with pizza shop owner Victor (Joshua Jackson) and his daughter Mia (Sadie Stanley). When under-dog Li is targeted by Mia’s ex-boyfriend and local bully Conor (Aramis Knight) their conflicts escalate leading them to face off in the ‘5 Boroughs’ karate challenge. Enter the masters – Li’s Uncle, Shifu Han (Jackie Chan) and Sensei Daniel LaRusso (Ralph Macchio) who join forces and have seven days to train Li to defeat Conor. Their frequent clash of egos and humorous dynamic were my favourite parts of the film. It was nostalgic to see 71 year old Chan and 63 year old Macchio sharing the screen, with Chan showcasing that he still has the skills that made him famous, and Macchio reprising his iconic role. I loved the way the memory of Mr Miagi (played but Pat Morita in the original movies) was honoured, which was bittersweet given Morita passed away in 2011. This is an enjoyable family movie focussing on the values of loyalty, friendship and hard work. Wholesome and feel good.

SCORE:

Alex's Score 8/10

Amanda’s Score 8/10

THE SHROUDS

Director David Cronenberg’s latest offering is a mixed bag. Through his company GraveTech, Karsh Relikh (Vincent Cassell) has developed innovative technology involving a body shroud that streams a live video feed from inside a grave. Accessible via an encrypted phone app, users can watch the body of a loved one decompose in real time. Karsh’s wife Rebecca (Dianne Kruger who also plays Rebeccas sister Terry) passed away from cancer four years earlier, and at the time he he eased his grief by burying her in his high-tech cemetery. When vandals damage several electronic gravesites and lock Karsh out of his own software, he enlists the help of Maury (Guy Pearce), an IT guru and his former brother-in-law, to investigate. Together they work to uncover who was behind the attack and why Karsh became a target. The film features advanced technologies (self-driving cars, AI assistants, and 3D video shrouds) that either already exist or are commercially plausible and I was glad the plot didn’t spin off into supernatural territory. This is not a comedy but the audience initially laughed along with some of the witty banter, particularly during Karsh’s awkward first date set up by his dentist, but by the end their laughter shifted towards more ridiculous moment, like scenes where Rebecca visits Karsh in his dreams with body parts missing. The plot would’ve been more cohesive if these dream sequences were cut. The female characters are one dimensional and seem to only exist for Karsh to conquest. I also guessed early on who was behind the vendetta against Karsh and found the final ten minutes to be a convoluted web of accusations. The ending was too abrupt. One of my movie club attendees said “The best thing about it was the groodle.” Indeed the groodle was cute. A clever concept that needed a tidier script.

SCORE:

Alex's Score 5.5/10

Chris’s Score 5/10

Sharon’s Score 6.5

Cath’s Score 4/10

Vicki’s Score 4/10

Illonas Score 6/10

Glenn’s Score 7/10

ECHO VALLEY

How far will a mother go for her daughter, and does unconditional love outweigh betrayal? These two questions lie at heart of ‘Echo Valley,’ starring Julianne Moore as Kate, a grieving lesbian widower, and Sydney Sweeney as Claire, her drug-addicted daughter. Kate operates a horse agistment and riding center and is struggling financially. When Claire arrives seeking help in a desperate state, Kate sets aside her better judgment, and soon finds herself in a dangerous predicament with drug dealer Jackie (Domhnall Gleeson.) Moore’s acting talent isn’t enough to save this storyline from its absurdity. There’s one decent plot twist, then events become increasingly fanciful. Clare’s constant transgressions and Kate’s lack of boundaries are frustrating to watch. Everything is meh. Two stars from me for the fabulous Fiona Shaw as Kate’s best friend Les, and some beautiful horses.

SCORE:

Alex's Score 2/10

Amanda’s Score 4/10

THE QUIET MAID

Ana (Paula Grimaldi), a Colombian maid, works for a wealthy family of four at their Spanish holiday estate, aiming to save her wages for her sister’s university tuition. Her employers have promised to assist her with her residency papers once she completes four months of service, but Ana discovers that she actually needs to spend two years in Spain before she can submit her application. While she works tirelessly, the family relaxes and indulges in the luxuries of their lifestyle. Bored with the monotony of work and longing for some fun, Ana begins to take risks and push boundaries. The family members talk about her openly, both in her presence and behind her back, and over time, tensions escalate. This culminates in a lecherous act that leads Ana to take drastic action. Most of the film is set in and around the holiday home, with Grimaldi convincingly portraying Ana as a quiet, observant servant. Executive produced by Steven Sodengerg, this slow paced drama feels like it covers familiar under-dog territory. Has some emotional depth but offers nothing new. Spanish with English subtitles.

SCORE:

Alex's Score 6/10

TITAN – THE OCEANGATE SUBMERSIBLE DISASTER

This eye-opening documentary explores the doomed submarine names Titan which imploded in 2023, instantly killing all five passengers onboard … including its developer Stockton Rush. A millionaire and the founder of Oceangate in 2009, Rush became obsessively determined to push the boundaries of deep-sea submersibles in order to visit the Titanic wreck. Over several years, he tested multiple prototypes, eventually deciding on a carbon fiber hull. Exploiting a loophole that allowed him to avoid proper classification of his vessels, Rush cut safety corners to prepare his submersibles for passenger voyages. Authorities were aware but did not intervene. During testing, multiple staff members (including senior engineers) raised serious concerns about cracking occurring in the hulls. Some resigned on principle, believing Rush was putting lives at risk, while others were dismissed for standing in the way of his dream. Rush is presented as tunnel-visioned, ego driven man who refused to compromise on the relentless pursuit of his goal. On June 18, 2023 the Titan crew lost contact with the Oceangate team and a large search and rescue operation was commenced. Four days later Titan debris was found 500m from the hull of the Titanic and it was confirmed that a catastrophic event had occurred. Shocking and unfathomable.

SCORE:

Alex's Score 8/10

Amanda’s Score 7/10

28 YEARS LATER

Danny Boyle is back at the directing helm, nearly three decades since the rage virus infected most of Britain. Twelve-year-old Spike (Alfie Williams) lives on an isolated gated island with his parents, Isla and Jamie (Jodie Comer and Aaron Taylor-Johnson). Jamie takes him to the quarantined mainland to practice kil*ing zombies – creatures that have evolved into grotesque crawling, slug-like blobs and fast-moving, upright, intelligent Neanderthals. During his second visit to the mainland, with Isla in tow, Spike is determined to find a doctor who can help diagnose her health issues. Along the way they meet Swede Eric (Edvin Ryding) who is frustrated about being stranded in a foreign land filled with monsters. He delivers the film’s best lines and injects humour into some tense situations. The filming style is erratic (in a good way) with the camera placed right in the actors’ faces, immersing you in the scenes and adding to the unease. The acting is convincing and the script, written by Alex Garland (whose recent direction and writing of ‘Warfare’ was phenomenal) offers strong character development with an easy to follow plot. There’s a masterful balance between zombie action and story progression, and everything unfolds with just the right timing. The 115 minute run time flies by. Spike starts out as a scared child but evolves into a confident, independent pre-teen – with Williams effortlessly carrying the lead role. I’m not sure Ralph Finnes was well cast for his brief appearance (maybe I’m still picturing him in ‘Conclave’?) and one scene 10 minutes from the end felt rushed and disjointed compared to the rest, but they are minor picks. Overall it’s a well crafted zombie film with a solid foundation and IMHO is the best of the ‘28’ series so far. I’m looking forward to ‘28 Years Later – The Bone Temple’ scheduled for release in January 2026. Memento mori!

SCORE:

Alex's Score 8.5/10

Kate’s Score 8.7/10

THE BETTER SISTER

Estranged sisters Chloe (Jessica Biel) and Nicky (Elizabeth Banks) are forced to reunite after the murd*r of Chloe’s husband, Adam (Corey Stoll). Adam was previously married to Nicky and together they have a teenage son, Ethan (Maxwell Acee Donovan). As detectives Nan Guidry (Kim Dickens) and Matt Bowen (Bobby Naderi) investigate the case, Ethan is arrested for the crime. Meanwhile, the sisters confront their childhood traumas as family secrets are uncovered, and attempt to repair their fractured, dysfunctional relationship. As the investigation unfolds, other suspects emerge, turning the story into a true whodunnit. This series is held together by strong cinematography and compelling acting throughout from the most of the solid cast. Nicky, feeling harassed by the police, frequently trades verbal barbs with Detective Guidry, creating some of the most entertaining scenes. A trim down from 8 episodes would’ve tightened everything up and prevented the drag that occurs in the middle. Eventually the plot loses focus and the ending leaves much to be desired.

SCORE:

Alex's Score 6.5/10

Amanda’s Score 6.5/10

Tony’s Score 8/10

ELLIS PARK

Warren Ellis is a musician best known for performing as part of the Bad Seeds band with Nick Cave. In this documentary he reflects on his early life, musical influences, and relationship with ‘Ellis Park’, a namesake wildlife sanctuary in Sumatra. The brief focus on the animal centre is meaningful and inspiring. Ellis states that the story isn’t about him, “It’s about them” but that’s not what rolls out. It’s mostly about him and centres on Ellis playing the violin extensively in various settings – a town rotunda, a church, an empty theatre, his parents’ house, and even in the rescued animals enclosures. There’s little background provided about the amount Ellis paid for the animal centre land. According to Google, in 2021 Ellis and his wife (who is not named or mentioned in the doco) purchased a 5,000 square-metre plot that adjoined the ‘Sumatra Wildlife Centre’ (SWC.) It was donated to SWC to be used for animals who cannot be released. Ellis visits the sanctuary for the first time during filming (2023) and reconnects with Dutch manager Femke den Haas. In a piece to camera he makes it clear the purpose of the trip is to deliver a fist-sized cast of a piece of Nina Simone’s chewed gum, having removed the original from a piano she used 20 years earlier. His obsession with this replica “relic” makes him oblivious to the fact that it’s not something the SWC needs. I wanted to learn more about the sanctuary, its staff, how den Haas came to work there, and its history and future. I wanted to hear of Ellis’s early connection to animals, but instead I don’t even know if he had one. I wanted to know what law enforcement were doing to tackle the wildlife trafficking epidemic. I didn’t want to hear another violin solo. It feels as though a documentary idea was pitched, but Ellis needed a more content to get it across the line so the wildlife aspect was thrown in as an after thought, making it feel disjointed. 10/10 to the sanctuary team for their rescue efforts and for raising awareness about the plight of animals in Sumatra and a commendable effort on Ellis’s behalf in purchasing the land, but I question the self indulgence presented here.

SCORE:

Alex's Score 4/10

Kate’s Score 4.5/10

FROM THE WORLD OF JOHN WICK – BALLERINA

Ballerina by name but not by nature. Ana de Armas is Eve Macarro, an assassin seeming vengeance for her father’s death a decade earlier. That’s where the linear, simple plot begins and ends. I could pick a few holes in the story and acting but where this film excels is the non-stop action. Armas k*icks a*s! She unleashes fierce feminine rage and takes down countless foes along the way. As the new John Wick protagonist, she brings fresh energy to the franchise, while Keanu Reeves cameos as the man himself. The grand finale fight scene features jaw-dropping pyrotechnics and flame thrower action, unlike anything I’ve seen in a film before. It’s spectacular. I liked this a lot more than I expected to. Adrenaline-fuelled and expl*sive.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 9/10

HOW TO TRAIN YOUR DRAGON

On the ancient Isle of Berk, dragons and Vikings have been enemies for centuries. When aspiring dragon slayer Hiccup (Mason Thames) befriends an injured, rare Night Fury dragon, whom he names Toothless, their relationship gradually develops into mutual trust. Hiccup soon realises that dragons can be friends rather than foes. He trains Toothless and sets about changing the perceptions of his fellow villagers, including his stubborn and fearless father, Stoick (Gerard Butler) the village chief. With live-action animation being all the rage right now, this production stands out as one of the best. The CGI is seamless and the landscapes are visually stunning. The final battle scene is truly epic. Every character feels authentic and the story offers a balanced mix of action and humour. Toothless, the star of the show, will steal your heart. A strong orchestral sound track adds to the suspense and sounds brilliant pumped through cinema speakers. This film is an overall reflection on how humans have historically treated animals, conveying a message about the importance of empathy. Exciting and fun.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 8.5/10

Duncan’s Score 8/10

Tony’s Score 8/10

MATERIALISTS

Dakota Johnson stars as Lucy, a modern-day matchmaker who arranges dates for shallow singles with unrealistic expectations, mostly seeking partners with substantial wealth. After a client’s wedding, she begins dating Harry (Pedro Pascale) a wealthy, eligible bachelor. Meanwhile her ex-boyfriend John (Chris Evans) reenters her life. Their breakup years earlier was due to his lack of financial stability … something he still doesn’t have. When one of Lucy’s matchmaking clients is assaulted on a first date, she starts to question her career and her approach to relationships. A sharp dissection of modern dating, this film explores what people are willing to trade for love and how some will settle for a superficial connection when money is involved. Pascale remains as charismatic as ever, while Johnson and Evans deliver solid performances. There are also some light and fun moments, though this is far from a romantic comedy – it steps more into drama territory. Engaging, witty, thought provoking.

SCORE:

Alex’s Score 8/10

Kelly’s Score 7/10

THE GREAT LILLIAN HALL

Jessica Lange star as Lillian Hall, a fictional Broadway star grappling with dementia. Loosely based on the life of American stage actress Marian Seldes (whose niece Elisabeth Seldes Annacone is the screenwriter) the film explores Hall’s struggles as her memory loss begins to affect her personal relationships and career. Kathy Bates delivers a no-nonsense performance as Edith, Hall’s longtime friend and assistant. Their friendship is fiery and honest, with Edith always caring for Hall’s best interests. Lange delivers a moving portrayal of Hall, expertly expressing a wide range of emotions. Her talent and versatility know no bounds and there’s a reason she’s been awarded an Oscar, a Tony, and an Emmy, and is widely regarded as one of the most respected and talented actors of her generation. The supporting cast (Lily Rabe as Hall’s neglected daughter Margaret, Jesse Williams as the play’s director David, and Pierce Brosnan as Hall’s neighbor Ty) are exceptional. A journey in superb storytelling that excels in all aspects.

SCORE:

Alex's Score 9/10

DANGEROUS ANIMALS

Tucker (Jai Courtney) is a shark-obsessed serial killer who operates boat tours on the Gold Coast. Once his unsuspecting clients are offshore, they rarely make it back alive, becoming the main course in a gruesome shark feeding-frenzy that Tucker films for his sick amusement. When he abducts feisty free-spirited surfer Zephyr (Hassie Harrison) she fights desperately to survive and resists becoming his next victim. Courtney plays psychopathic to perfection, seamlessly blending charisma with menace – it’s impossible to look away when he’s on screen. Showing his versatility as an actor, his character of Tucker severely contrasts with the kind and gentle father he portrayed in ‘Runt.’ The panoramic cinematography featuring frequent aerial shots of Tucker’s boat against the vast ocean gives a powerful sense of isolation and heightens the suspense. I was particularly impressed with the seamless integration of CGI and real shark footage. This film could be described as ‘Silence of the lambs’ on the seas or ‘Wolf Creek’ on water, but it is unique, tense and brilliant in its own right. The best shark movie since 1975’s ‘Jaws’. Destined to become a cult classic.

SCORE:

Alex's Score 9.5/10

Saraj’s Score 9/10

WILDING

When Charlie Burrell inherited Knapp Castle and its 3,500 acres of land in West Sussex, United Kingdom, he intended to uphold the family’s farming tradition. However Charlie and his wife, Isabella Tree, soon realised that the soil was severely depleted after years of pesticide, fungicide, and overuse. They decided to remove all internal fences and embarked on an ambitious rewilding project, introducing ancient breeds of horses, pigs, and cows, as well as birds, insects, and other wildlife. Despite facing resistance from local farmers and navigating complex government bureaucracy, they transformed the landscape into a lush, safe-haven amid a dying environment. Their commitment to the land and joy in discovering the array of creatures who now call it home, is heartwarming. Narrated by Isabella, this thought-provoking documentary highlights the damage human activity inflicts on ecosystems and demonstrates how nature can flourish when left undisturbed. It is acknowledged that Burrell and Tree come from a position of financial privilege, allowing them the freedom not to work the land for income. I wish this aspect had been explored more deeply but their efforts are an inspiring example for others who can afford to regenerate and restore habitats damaged over the years. An inspiring and uplifting reality check.

SCORE:

Alex's Score 8.5/10

DEPARTMENT Q

This Scottish thriller centres on detective chief inspector Carl Morck (Matthew Goode) and his partner James Hardy (Jamie Sives) who are ambushed and shot at a murder crime scene. Upon returning to work, Morck is assigned to a new cold case unit and begins investigating the disappearance of prosecutor Merritt Lingard (Chloe Pirrie), who disappeared four years earlier. With the help of former Syrian cop Akram Salim (Alexej Manvelov) and Rose Dickson (Leah Byrne), a PTSD-stricken cadet, Morck employs unorthodox and aggressive methods to obtain information, often flouting police processes and the law. This series features an intriguing plot and clever writing (from Scott Frank who co-wrote ‘The Queens Gambit’ and who also serves as director, executive producer and creator), although it becomes somewhat convoluted at times. Thankfully everything is explained and resolved in the finale. It is well-acted with excellent character development, particularly for blunt Morck who has a tough exterior but a good heart. Highlights include his growing respect for Salim and his friendship with Hardy. The pacing is steady and maintains viewer interest across all nine episodes. Witty, tense, and engaging, the series leaves room for a second season.

SCORE:

Alex's Score 8/10

Amanda’s Score 9/10

SIRENS

Simone DeWitt (Milly Alcock) works as an assistant to Michaela ‘Kiki’ Kell (Julianne Moore) and the two develop a codependent relationship. Michaela, the wife of billionaire Peter Kell, spends her days hosting high-society fundraising events for her passion project, a raptor rescue centre. While she appears to have it all, she’s secretly distrustful of her husband’s fidelity. When Simone’s impulsive sister Devon (Meghann Fahy) unexpectedly visits the Kell’s island estate, she becomes wary of Michaela’s intentions. Soon Simone is compelled to confront her past. The ultra-rich characters are portrayed as entitled, odd, and shallow, and despite being billed as a dark comedy the only genuine laughs are provided by Catherine Cohen’s portrayal of Lily-Rose, a drunk woman who shares a jail cell with Devon. Some aspects of the plot are fanciful and for most of the series you’ll wonder whether the story will take a sinister turn. The final episode doesn’t provide a solid resolution for anyone other than Simone, who turns out to not be what she seems. Strange and twisted.

SCORE:

Alex's Score 6/10

Amanda’s Score 7/10

REUNION

When deaf father Daniel Brennan (Matthew Gurney) is released from prison, he’s initially set on seeking revenge for abuses he suffered as a young boy at an all deaf boarding school. With no care for the possible consequences, he sets about tracking down the man who ruined his life. Along the way he reconnects with his estranged daughter Carly (Laura Peake), who is now a young adult, and slowly realises he has someone to live for. I decided to watch this show after someone claimed it was “As good as ‘Adolescence’ which turned out to be bum-steer. It’s nowhere near as engaging or well filmed as ‘Adolescence’ was. However in a wonderful showing of representation the cast largely consists of deaf and hard-of-hearing actors who communicate primarily through British Sign Language. Many deaf crew members also contributed behind the scenes.


That said, I found parts of the story to be slow, and I lost interest several times. The acting was decent though I feel the series could’ve been trimmed by at least one episode. Unjust and harrowing.

SCORE:

Alex's Score 6/10

Amanda’s Score 7.5/10

THE PHOENICIAN SCHEME

After surviving multiple assassination attempts, businessman Zsa-zsa Korda (Benito Del Toro) names his nun daughter (Mia Threapleton) as sole heir to his entire fortune on a trial basis. They set off to negotiate trade terms with several foreign tycoons and find themselves dodging death and misadventure along the way. In true Wes Anderson fashion (he serves as director, producer, and screenwriter) the film features an a-list cast, including Scarlett Johansson, Tom Hanks, Bill Murray, Michael Cera, Benedict Cumberbatch, Willem Dafoe, Bryan Cranston, and Rupert Friend. The slapstick humour provides a few laughs though the plot is only moderately engaging. The stars of the show are the distinctive colour palate and intentionally themed, meticulously detailed sets synonymous with all of Andersons movies. His distinct visual style always oozes brilliance, even though in this instance, the content didn’t quite match his creative genius.

SCORE:

Alex's Score 6.5/10

THE SALT PATH

Based on a true story and adapted from the book of the same name, ‘The Salt Path’ tells the story of Moth Winn (Jason Isaacs) and his wife Raynor (Gillian Anderson.) After losing their home to the bank and not having a viable place to live, they embark on a trek along the South West Coast Path in England. Moth, having been recently diagnosed with a terminal illness, frequently struggles with his heavy pack, a possible metaphor for the guilt he feels in making the bad investment that caused their hardship. They set off with no plan, very little money and even less knowledge of the great outdoors. I found most of this movie to be tedious and my frustration grew at their unpreparedness for the harsh elements. Respect to real life Moth and Ray for their 600 mile year-long journey, but the translation of their feat onto the big screen just didn’t do it for me. While the themes of resilience, hope, and the healing power of nature are commendable, it was overall pretty dull.

SCORE:

Alex's Score 5/10

THE SURFER

When an unnamed protagonist(Nicholas Cage) returns to his childhood surf beach with his teenage son, he is denied access by a group of aggressive local surfers (led by Julian MacMahon). This initial confrontation sets off a chain of harassing events that escalate into a turf war fueled by toxic masculinity. Unwilling to give up on riding those particular waves, the man fights back, pushing himself to the limits of physical endurance. His resistance gradually spirals into madness as he begins to experience hallucinations about his life and becomes fixated on purchasing his former family home, perched on a nearby cliff. This film immerses viewers in discomfort from start to finish. The camera frequently captures actors in close-up shots, increasing the sense of tension and unease. Filmed in Yallingup, Western Australia, the Australian landscape shines under a blazing inhospitable sun. A raw, captivating and bizarre psychological thriller.

SCORE:

Alex's Score 7/10

Amanda’s Score 7.5/10

Duncan’s Score 8/10

MISSION IMPOSSIBLE – THE FINAL RECKONING

Tom Cruise returns as Ethan Hunt in the eighth installment of the ‘Mission Impossible’ franchise, which also serves as the second part of the final film. Once again Hunt is the only person who can save the planet, this time from an AI program called The Entity who had gone rogue and intends to detonate the nuclear weapons of several superpowers. His mission involves retrieving a hard drive from a sunken submarine, stealing a thumb drive necklace from the villain, and disarming a nuclear bomb. Amid espionage and a planet teetering on the brink of war, his dependable and long-suffering Impossible Mission Force team provides crucial support, always appearing at just the right moment to save his skin. The film keeps viewers on the edge of their seats, with constant jeopardy and multiple countdowns to potential catastrophes. At 65 years old, Cruise delivers jaw-dropping stunt work and defies his age as he matches much younger actors in intense fight scenes. Could’ve lost 30 minutes along the way but viewers won’t be bored. Just ignore the plot gaps and suspend belief while you sit back and watch the master of action movies once again steal the screen. Fans are sure to love this high-octane thrill ride but after three hours of non stop stress, I felt like I needed a lie down.

SCORE:

Alex's Score 6/10

Amanda’s Score 7/10

Kelly’s Score 2/10

Steve’s Score 4/10

Mich’s Score 7/10

Ally’s Score 8/10

LILO AND STITCH

After the success of the 2002 animated classic ‘Lilo and Stitch’ Disney brings the 2025 live-action adaptation to the big screen. Retaining the heartwarming themes of strong family bonds and overcoming adversity, the story follows Lilo (Maia Kealoha) whose greatest wish for a best friend comes true when Stitch (voiced by Chris Sanders) crash-lands on her Hawaiian island. As they cause chaos and mischief, they also discover the true meaning of “Ohana.” In her feature film debut, Kealoha excels as excitable and well-meaning Lilo. The film maintains enough momentum to engage young audiences and delightful humour to connect adults. Stitch is just adorable as the cheeky, mischievous alien pretending to be a dog. Fun, endearing and enjoyable.

SCORE:

Alex's Score 8/10

Amanda’s Score 7/10

Cath’s Score 8/10

Vicki’s Score 8/10

THE STUDIO

This ten-part series is fresh, interesting and quirky. Seth Rogen stars as Matt Remick, the head of the fictional Continental Studios in Los Angeles. Catherine O’Hara, Ike Barinholtz, Chase Sui Wonders, and Kathryn Hahn co-star as Matt’s colleagues, while more than 36 real-life actors, directors, and media personalities (like Martin Scorsese, Ron Howard to Charlize Theron, Ice Cube and Zoe Kravitz) make memorable cameos. The storylines are witty and satirical, complemented by masterful filming techniques. One-shot scenes are frequently used to enhance the pacing and energy, highlighting meticulous planning by the entire crew. Each actor delivers a brilliant performance, effortlessly playing off one another. But what shines through most is Rogen’s love for film. As a co-creator, co-director, lead, and an executive producer, his creative talent is evident and the respect he has within the industry is demonstrated by those playing themselves, parodying their public personas. Fabulous entertainment! Loved it and am thrilled it’s been renewed for season two.

SCORE:

Alex's Score 9/10

Amanda’s Score 9/10

HOLLAND

Home economic teacher Nancy (Nicole Kidman) lives what looks like a charmed life with her optometrist husband Fred (Matthew Macfadyen) and son Harry (Jude Hill) in the Midwest town of Holland, Michigan. She gradually becomes suspicious of Fred’s frequent work trips and enlists the help of her colleague Dave (Gael García Bernal) to spy on him in an attempt to find evidence of an affair. Instead, Nancy and Dave become close and end up biting off more than they can chew when they discover what Fred’s really been up to. Not even a strong twist can save this film from its ridiculous spiral. The development of the leads is lacking in backstory and there are several inconsequential characters who could’ve been cut. The plot feels like it’s been done before, only better. Inconsistent and disappointing.

SCORE:

Alex's Score 3/10

LIKE MY BROTHER

A feature length documentary following four inspiring teens from the remote Tiwi Islands in the Northern Territory, Rina, Freda, Julianna and Jess, who are each chasing the goal of playing for the Australian Football League Women’s (AFLW.) They all have excellent skills on the field and catch the attention of Essendon AFLW talent scouts. As their dreams are slowly realised, they struggle between city life and the call of their homelands, family ties and cultural traditions. Filmed over six years, this bittersweet tug-o-war between two worlds highlights the difficulties some First Nations athletes face when leaving their mob.

SCORE:

Alex's Score 8/10

SUSPECT: THE SHO*TING OF JEAN CHARLES MENEZES

The British have a reputation for producing compelling crime dramas, and this four-part series is no exception. It is inspired by the real-life events surrounding the de*th of Brazilian electrician Jean Charles de Menezes, who was mistakenly identified as a suspect in the aftermath of the failed July 2005 London b*mbings. Incorporating actual footage of the b*mbing aftermath and subsequent press conferences, the series vividly portrays the police misidentification of Menezes, the subsequent sho*ting, and the ensuing controversy – including the public outrage and the legal battles waged by the de Menezes family. Shocking and visceral, it often depicts graphic and unsettling scenes and offers a stark and thought-provoking exploration of police actions and their devastating consequences. Compelling and disturbing.

SCORE:

Alex's Score 8.5/10

ANOTHER SIMPLE FAVOUR

This toxic friendship murd*r mystery is a sequel that never should have been made. Some films should end after their initial installment. I’m not even going to go into the plot – I don’t want to relive the trauma. While Anna Kendrick excels at comedy, Blake Lively does not. The location of Capri, Italy is stunning but the beautiful scenery isn’t enough to carry the weight of this cringey and absurd movie. The last half an hour beggars belief and crosses so many boundaries, going for shock value rather than any semblance of a decent story. No wonder it went straight to streaming – it would’ve bomb*d in cinemas. What rot!

SCORE:

Alex's Score 2/10

EMILIA PEREZ

Cartel leader Manitas (played by trans actress Karla Sophia Garscon) has always felt like he was born in the wrong body. In a quest to live as his authentic self he abandons his two young children and wife (Selena Gomez), hires lawyer Rita (Zoe Saldana) to help him fake his own death and re-emerges as a woman named Emilia Perez (also Karla Sophia Garscon.) The opening musical number almost made me to turn it off and I found the subsequent song and dance sequences unnecessary and viewed them in fast forward. The emotional depth of those scenes could’ve been conveyed through acting rather than song and this would’ve made the plot more cohesive. Some of the performances were also off key – if you’re creating a musical, make sure it’s in tune. While this film’s strengths lie in its intriguing story and the noteworthy performances of Gomez, Saldana, and Garscon, it attempts to be too many things at once. It’s as if writer (and director) Jacques Audiard mashed every concept he’d ever had into the movie and he even stated in a press interview that it’s an “opera” – it’s not. Original but mixes too many genres.

SCORE:

Alex's Score 5.9/10

FLIGHT RISK

Mark Wahlberg leads as creepy pilot Daryl in this action thitller. He is transporting an essential witness in an embezzlement trial, Winston (Topher Grace) and his escort air marshall Madolyn (Michell Dockery) in a small plane above the Alaskan wilderness. Daryl’s villainous intentions are soon exposed as he attacks his two passengers and reveals he’s been hired to kill Winston. Madolyn fights back and soon finds herself in control of a plane she has no idea how to fly. Plus she has to contend with a leak in the Department of Homeland Security Air Marshal Division. The acting is average, Daryl is skin crawlingly vile and the far fetched metre is off the charts. Throw in some basic CGI scenery and you have a real dud SPOILER ALERT! The only high point is Daryl’s eventual demise Naff and nonsense.

SCORE:

Alex's Score 3.5/10

FANATICAL: THE CATFISHING OF TEGAN AND SARA

As the popularity of twin sister singing duo Tegan and Sara grew in the early 2000’s, so did their fan base. In 2011 an impersonator emerged (nicknamed ‘‘Fake Tegan’ and ‘Fegan’) and began communicating with fans as Tegan and sharing personal photos of her and unreleased music demos. The fans genuinely believed they were developing friendships and, in some cases, romantic relationships with Tegan. This documentary investigates the catfishing, which continued for several years, and explores its damaging impact on the deceived fans. It also delves into the violation of Tegan’s personal life, the way her relationships were affected and how her trust in everyone around her was broken. Due to the sheer number of victims involved, keeping track of the convoluted messages being sent back and forth becomes difficult as a viewer, but this also emphasises how chaotic and messy the whole situation was. I found it particularly frustrating that there was no resolution at the end – an examination of the email header information by police would have identified the IP address used by the perpetrator, and they could’ve been traced. Tegan still doesn’t have closure and the reverberations of this heinous behaviour are still felt by her today. An alarming look at fandom and the dark side of celebrity attention.

SCORE:

Alex's Score 7/10

Amanda’s Score 7/10

THUNDERBOLTS

The 36th installment of the Marvel Cinematic Universe (MCU) franchise kicks off in a big way as Florence Pugh (Yelena) leaps from the second highest skyscraper in the world, Kuala Lumpur’s Merdeka 118. It’s fitting that the opening scene introduces the character who carries the remaining 126 minutes. Alongside a team of mercenary anti heroes, known as the Thunderbolts, Yelena sets out to confront corrupt CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) who has been attempting to manufacture super humans in a lab and is the subject of an impeachment trial. The Thunderbolts save one of the test subjects Bob (Robert Pullman) but when he realises the veracity of his powers he soon becomes a new adversary. With a strong emphasis on mental health, depression, and the healing power of friendship, this film has more emotional depth than some of the previous MCU offerings. There are enough action sequences to maintain viewer interest and the interactions between Yelena and her adoptive father Alexei (David Harbour) bring the laughs. Although this film is engaging and entertaining, I couldn’t help but feel a sense of déjà vu due to its familiar and predictable plot. Another Marvel money maker set up for a sequel.

SCORE:

Alex's Score 7.5/10

Amanda’s Score 8.5/10

Steve’s Score 7/10

THE FOUR SEASONS

Three married couples, all longtime friends, take trips together every season. When Nick (Steve Carell) leaves his wife Annie (Kerri Kennedy) and falls for a younger woman named Ginny (Erika Henningsen), the group dynamics are impacted. The other couples, Danny and Claude (Colman Domingo and Marco Calvani) and Kate and Jack (Tina Fey and Will Forte), must face their own relationship issues, in addition to reassessing their friendships. Ticking the box as a comedy with plenty of humour throughout, this mini series also features a decent dose of drama and two unexpected plot twists. The eight episodes run for 30 minutes each and they flow well thanks to the decent script, well acted characters and solid pacing which maintains momentum. A quality production that’s watchable and easy to binge.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 9/10

MOVIEPASS MOVIECRASH

When discount movie card ‘MoviePass’ was launched in 2011, its goal was to attract consumers back to cinemas. The business model involved members using a pre paid debit card to load up movie ticket purchases. In 2017, Helios and Matheson Analytics (HMNY) became a majority owner and soon began charging members a monthly subscription of $10, allowing them to attend any films of their choice as often as they wanted. The cost to MoviePass for each ticket purchased was $11.50 and some users were viewing hundreds of films a year. As membership grew to over 3 million subscribers, the unscrupulous HMNY management proceeded to bleed tens of millions of over of dollars every month on parties, private jets and celebrity pay offs. When questions were asked, they ousted the two original founders (Stacy Spikes and Hamet Watt) from the board. Within a year of the takeover, the financial losses and overspending led the company to file for bankruptcy, prompting a criminal investigation. Eventually, Spikes reacquired ‘Movie Pass’ and with the implementation of new user restrictions, it’s been a profitable venture since 2023. A promising idea that was undermined by ego and greed.

SCORE:

Alex's Score 8/10

THE LAST ANNIVERSARY

Based on Liane Moriarty’s 2005 novel of the same name, this Australian drama takes place on fictional Scribbly Gum Island. When journalist Sophie (Theresa Palmer) inherits a house on the island following the death of matriarch Connie (Angela Punch MacGregor), intrigue surrounds her choice as beneficiary. Several of Connie’s family members still live on the island and are fiercely protective of their secluded home. Scribbly Gum itself holds secrets surrounding the disappearance of an immigrant couple Jack and Alice, who are presumed dead, and their abandoned baby, Enigma (played as an adult by Helen Thomson), who was taken in by Connie and her sister Rose (Miranda Richardson) five decades earlier. The discovery of Enigma is known as ‘The Baby Monroe Mystery’ and is treated like the greatest unsolved crime case on the planet. The island’s residents profit off the story, hosting paid tours of the shack where Jack and Alice lived. As Sophie digs into the family’s hidden past, she opens up old wounds and uncovers truths that have long been buried. Filmed in the Hawkesbury River region of NSW, the landscape provides a stunning backdrop but the series itself falls short. The acting feels wooden and unconvincing, with the exception of Palmer, and the script lacks any suspense or depth. There are too many subplots involving a dozen characters for anything meaningful to stick. The end provides adequate conclusions for the different cluttered storylines, but feels rushed. A mundane muddle.

SCORE:

Alex's Score 5.5/10

Amanda’s Score 6/10

GOOD AMERICAN FAMILY

This eight-part drama is inspired by the story of Ukrainian orphan Natalia Grace (Imogen Faith Reid), who was born with dwarfism and adopted by American couple Michael and Kristine Barnett (Mark Duplass and Ellen Pompeo) at the age of seven. The Barnetts falsely believed that Natalia was an adult and alleged that she was a sociopathic who had significant emotional issues. When she was eight, they persuaded a judge to amend her birth certificate to state that she was twenty-two years old, before abandoning her in an apartment to fend for herself. The wife of a pastor, Cynthia Mans (Christina Hendricks) crossed Natalia’s path and took her in, leading to the revelation of the horrific abuse she suffered at the hands of the Barnetts. The scenes depicting Natalia’s struggle for survival in her apartment are harrowing, and to see her spoken to aggressively as if she was an adult is heartbreaking. This series initially felt a bit like a ‘Hallmark’ production, due to the portrayal of the Barnetts as shiny happy people, but their complex personalities unfold as the story progresses and everything moves into darker territory. Presenting the episodes from different perspectives adds to the intrigue of who is telling the truth. The performances of the three lead actors are outstanding, with Reid skillfully navigating the fine line between childlike and sinister. It’s shocking to learn that this tale of neglect and mistreatment is based on actual events but the facts are still blurry. Powerful and unsettling.

SCORE:

Alex's Score 9/10

Amanda’s Score 9/10

PANGOLIN: KULU’S JOURNEY

This 90 minute documentary focuses on the most trafficked mammal on earth – the pangolin. It tells the story of an endangered pangolin named Kulu who is seized during a trafficking sting in South Africa. Following his rescue, Kulu undergoes intensive rehabilitation for six months under the care of passionate conservationist Gareth Thomas. As Gareth prepares Kulu for life in the wild, he finds himself reconnecting with nature. Director Pippa Ehrlich (‘My Octopus Teacher’) follows Kulu’s journey from a traumatised baby to an independent young adult. Up-close macro filming provides an intimate glimpse into the world of this reclusive creature and the footage is truly remarkable – like Kulu enthusiastically scraping ants from his tongue. Another scene where Kulu curls into a ball and is quivers with fear, will bring a tear to your eye. The trauma he suffered at the hands of his poachers is immeasurable. Complemented by breathtaking landscape cinematography and the inspiring work of dedicated wildlife carers, this feature is a call to action to protect these unique and vulnerable animals. Powerful and emotional.

SCORE:

Alex's Score 9/10

TINA

Substitute teacher Mareta Percival (Anapela Polataivao) accepts a job at an elite private school predominantly attended by white students. Grieving the loss of her daughter during the 2011 Christchurch earthquake, she puts her energy into forming a choir, much to the disapproval of the school board. Cultures clash when Percival introduces her Samoan heritage to her students, and she battles the school’s focus on individual achievement when she tries to get her choir to work together as a team. Polataivao is perfectly cast as the firm but fair Percival, an endearing character with a tough exterior but a huge heart. The film’s script expertly balances drama and comedy, and the songs are captivating. The entire cast brings an authenticity to their roles, resulting in a beautiful film that celebrates the importance of embracing differences and fostering collaboration. Emotional, heartwarming and one of New Zealand’s finest productions.

SCORE:

Alex's Score 8/10

CLOWN IN A CORNFIELD

Based on the young adult fiction novel of the same name by Adam Cesare, this film combines two terrifying elements – maniacal clowns and eerie cornfields. High schooler Quinn (Katie Douglas) and her father Dr Maybrook (Aaron Abrams) move to the seemingly sleepy town of Kettle Springs after the death of her mother. She befriends some local teens who create horror videos that feature the towns mascot, a clown named Fresco, as a serial killer. Soon life begins to imitate art and the kids find themselves targeted by a homicidal Fresco. The first half-hour effectively builds the story and character development, setting the stage well for what’s to come. There are moments of humour interspersed throughout the film which balance out the tenser scenes (mostly featuring the Gen Z characters) and few unexpected plot twists you won’t see coming. Really enjoyed it! The gore level is a 6/10 with an MA15+ rating. Reminded me of 90’s horror slasher movies like ‘I know what you did last summer’ with a bit of 2025’s ‘The Monkey’ thrown in. Creepy, suspenseful, and sinister.

SCORE:

Alex's Score 8/10

FLINTOFF

In this documentary, English cricket legend Andrew “Freddie” Flintoff offers an in-depth look into his life following his shocking car accident in December 2022. While filming a segment for ‘Top Gear,’ he was driving a Morgan Super 3 sports car which crashed. Miraculously, he survived but suffered severe facial injuries, leading him to withdraw from public life and become reclusive. Flintoff’s illustrious cricket career saw him rise to the top and captain for his country before he was forced to retire at just 31 due to injury. He transitioned into television, eventually landing his dream job on ‘Top Gear’ which was tragically cut short by his accident. Flintoff’s journey, from his beginnings in cricket as a teenager to his present day struggles with recovery, is revealed through his own words, and interviews with his wife Rachael, his long-time manager, medical professionals, former teammates, and friends. Despite still suffering from nightmares and PTSD, Flintoff has found solace and confidence by reconnecting with the cricket community. Candid, emotional and inspiring.

SCORE:

Alex's Score 7.5/10

Amanda’s Score 8/10

BLACK MIRROR

Like its predecessors, the latest season of ‘Black Mirror’ continues to explore the relationship between technology and humanity. While it doesn’t hit the heights of the first few seasons, each of the stand-alone episodes provoke thought about the implications of our tech-driven lives, touching on themes like social media addiction and the ethics of artificial intelligence. Although some stories are stronger than others, there are enough new ideas and clever moments to make it worth watching and it’ll make you wonder if you’re glimpsing the imminent future. Disturbing and thought provoking.

SCORE:

Alex's Score 7/10

Amanda’s Score 7.5/10

SINNERS

After years away in Chicago, twin brothers Smoke and Stack (both played by Michael B. Jordan) return to their Mississippi home to establish a juke joint. Their opening night draws a full house, with patrons enjoying the soulful blues and flowing drinks. When three white folk ask to be let in, no one foresees the evil they are about to unleash. In a similar vein to ‘From Dusk Till Dawn’ the first half focuses on character development and story buildup, before hurtling into vampire territory. Music features heavily throughout and is the foundation of the film. The rich throaty score feels as if it was composed first, with everything else crafted around it. The cinematography, costumes and meticulous colour grading authentically capture the deep south in the 1930’s, while themes of redemption, reinvention, and forgiveness infiltrate every twist and turn. The mid way dance number is unforgettable! Its choreography merges traditional southern dance styles with modern influences, creating a mesmerising performance. The dancers move with a sense of liberation, which is soon shattered by what’s to come. Jordan is seamless as the ‘Smoke Stack’ brothers, capturing their distinct personalities and showcasing his versatility as an actor. Ryan Cooglers direction is impeccable and this is so much more than a gratuitous horror flick. It’s an experience. Closure comes a few minutes into the credits, so stick around until the very end. Layered, artistic and atmospheric.

SCORE:

Alex's Score 8.5/10

THE ACCOUNTANT

Nine years after the release of ‘The Accountant’, Ben Affleck returns to the role of Christian Wolff, an autistic savant who works as an accountant for criminal organisations. He has an exceptional ability to process information while also being a skilled weapons expert and assassin. When treasury agent Marybeth Medina (Cynthia Addai-Robinson) from the Financial Crimes Enforcement Network approaches him to investigate a murder, he enlists the help of his estranged hitman brother, Braxton (Jon Bernthal). Supported by a group of gifted teens at the Harbor Neuroscience Treatment Centre, who provide remote tech assistance, Christian faces the added pressure of finding a missing boy being held by human traffickers. The solid script gives the actors plenty to work with and the dysfunctional dynamic between the brothers brings the laughs – their communication consists of witty insults, sharp one-liners, and quick comebacks. As polar opposites, Christian is socially awkward, hyper-focused, and takes things literally, while Braxton is brash, combative, and impulsive. Affleck is convincing as an adult on the spectrum – yes he’s partly playing a cliche but he also portrays a nice balance between idiosyncratic behaviours and intelligence. Fans will love this film … and new viewers will be converts. A fun sequel packed with intense action, humour, and an entertaining brotherly bond.

SCORE:

Alex's Score 8/10

Amanda’s Score 8.5/10

THE CORRESPONDENT

In 2013, Australian journalist Peter Greste (played by Richard Roxburgh) traveled to Cairo, Egypt, to cover for an Al Jazeera colleague over the Christmas period. During his visit he was detained by Egyptian authorities (along with two colleagues) and charged with serious offences, including aiding a te*rorist organisation. This biographical thriller chronicles the 400+ days he spent living in uncertainty, imprisoned in various Egyptian jails. Greste found himself powerless against a corrupt judicial system that disregarded his evidence and denied him a fair trial. Flashbacks from Greste’s past reveal his lingering guilt over the death of his BBC producer in Somalia six years earlier, and in a karmic twist, he believed his arrest was punishment for past sins. The film would’ve benefited from an edit of at least 30 minutes to really tighten up the story, and it glosses over the overcrowding, torture and abuse that occurs in typical Egyptian jail environments, with political prisoners often facing the harshest treatment. A gross miscarriage of justice against a man merely doing his job.

SCORE:

Alex's Score 7/10

Amanda’s Score 7/10

Kyleigh’s Score 6.5/10

Emilee’s Score 7.5/10

Saraj’s Score 7/10

Simon’s Score 7/10

DeeAnn’s Score 8/10

Kirsty’s Score 7.5/10

Mark’s Score 7/10

Fiona’s Score 8/10

Mich’s Score 9/10

Ally’s Score 7/10

Sue Ellen’s Score 7/10

SMALL THINGS LIKE THESE

Adapted from Claire Keegan’s 2021 novel, this historical drama stars Cillian Murphy as William (Bill) Furlong, an Irish coal supplier who is the illegitimate son of a single mother. Now married with five daughters of his own, Bill finds himself delivering coal to a laundry facility that houses pregnant teens against their will. The young women are made to work without pay under harrowing conditions and are forced to give up their babies, a true reflection of the real-life Magdalene asylums run by Catholic nuns from 1922 until 1989. The Nuns who run the laundry also control the town’s private religious school, wielding significant influence – cross the nuns and your child’s education could be jeopardised. Bill feels compelled to help a pregnant girl who evokes memories of his own mother and her struggles. He also wonders what would happen if this girl was one of his own. His strong moral compass clashes with the iron grip of the nuns, who maintain their power over the townspeople through bullying and manipulation. Spliced with flashbacks from his childhood, the film unfolds at a slow pace, reflecting Bill’s own measured nature. The dreary cinematography is perfectly suited to the melancholic subject matter. Shocking statistics are presented at the conclusion about women sent to the Magdalene asylums, and their babies who were mostly never seen again. Confronting and disturbing.

SCORE:

Alex's Score 7/10

Rhonda’s Score 7.5/10

WARFARE

When I heard that this film was described as the “most realistic war combat movie ever made” I rolled my eyes. I’m not a fan of the war genre and I was expecting it to be an onslaught of pointless violence, gratuitous k*ll shots, and crude banter. Instead, it absolutely exceeded my expectations. Based on the true story of an American Navy SEAL squad in Ramadi, Iraq, in 2006, it portrays the nightmarish consequences of their evacuation attempt from a local residence. Co-writer Ray Mendoza, an Iraq veteran, crafted the film from his memories and the experiences of those who served alongside him. The first hour is filled with uncomfortable tension as the soldiers monotonously wait for something to happen. A palpable energy keeps you on edge, hinting that something frenetic is just around the corner … and then all hell breaks loose. What sets this film apart is its expert use of sound. With no music to distract, it immerses you in each scene through intense environmental audio, punctuating moments of silence with a force that hits you deep in the chest and takes your breath away. Realistic acting and masterful cinematography round out the whole viewing experience. War is ultimately pointless but this film is phenomenal. Shocking and visceral, its impact lingers long after the credits roll. See it in the cinema to do the sound justice and to watch it as intended. Oscar worthy.

SCORE:

Alex's Score 10/10

Amanda's Score 10/10

Kyleigh's Score 9.5/10

Emilee's Score 9.5/10

Simon's Score 9/10

Sue Ellen's Score 9/10

Deb's Score 9/10

Kel's Score 9/10

Steve's Score 8.5/10

Saraj's Score 8/10

Fiona's Score 8/10

Duncan's Score 7/10

A COMPLETE UNKNOWN

Timothée Chalamet brings a young Bob Dylan to life in this biopic. The film chronicles Dylan’s meteoric rise to fame, beginning in 1961 when he was just 19 years old, and covers the first four years of his career. Thanks to a chance meeting with singer Pete Seeger (Ed Norton) in New York City, Dylan gets a musical foot in the door and picks up a few gigs. He begins a collaboration with Joan Baez (Monica Barbaro) that evolves into a romantic relationship, and his long-suffering girlfriend Sylvie (Elle Fanning) endures his recurring infidelity. As Dylan’s popularity grows, he’s conflicted between other people’s expectations and his own artistic desires, resulting in his rebellious decision to perform an electric guitar set with a band at the 1965 Newport Folk Festival. Much fuss has been made of Chalamet’s commitment to vocal authenticity by singing all the songs live on camera – no mean feat given Dylan’s distinctive gravelly, raw voice. Barbaro also performs her songs live and she captivates with her incredible voice. Chalamet portrays Dylan as brooding, moody and mysterious however with zero back story there’s no deep dive into his musical motivations. Significant aspects of his life are also skipped, like his struggles with substance abuse. Cherry picked, surface-level storytelling with lots of music but not enough Dylan.

SCORE:

Alex's Score 7/10

Amanda’s Score 8/10

THE STOLEN GIRL

Elisa (Denise Gough) allows her 9-year-old daughter, Lucia, to have her first sleepover at a new friend’s house. When Lucia isn’t dropped off the next day, Elisa and her husband Fred drive to the house, only to discover it’s a holiday rental that’s currently empty. Their worst nightmare comes true when they realise that Lucia has been kidnapped. A police investigation commences and Selma (Ambika Mod), an ambitious young journalist, begins her own inquiry based on a hunch that something is amiss. SPOILER ALERT! As the search for Lucia crosses into France, family secrets and marital indiscretions are exposed. Selma keeps digging and seems to have more of a clue than the police. Her push for answers eventually reveals Elisa’s full backstory and at the end of the series, you’ll wonder if the person who receives punishment, is the one who deserves it. The pacing of this British crime thriller is on point, with the story succinctly tied up in just five episodes. The acting is average – not great but not bad – and while there are some unexpected turns of events, the kidnappers motive is manifested from a deranged and vengeful mind. A quick and easy binge that doesn’t blow the roof off.

SCORE:

Alex's Score 6/10

Amanda’s score 7/10

BAD INFLUENCE – THE DARK SIDE OF KIDFLUENCING

This three part series focuses Tiffany Smith’s exploitation of her young daughter Piper Rockelle for money and fame. Piper was just 9 years old when Tiffany manufactured her into a You Tube, TikTok and Instagram sensation. She handpicked a group of preteens and teens to form Piper’s ‘squad,’ carefully crafting a world that impressionable kids aspired to join. Aware that a significant portion of Piper’s followers were men, Tiffany incentivised their predatory behaviour by sending select users private photos of Piper. She became increasingly tyrannical and forced the children to film for days on end, with complete control over their online channels. Other parents began to notice something was wrong and withdrew their children from Tiffany’s influence, leading to immediate disconnection from Piper. Allegations of physical, psychological, and se*ual abuse soon followed in a lawsuit filed against Tiffany by eleven former squad members. Thankfully, the culpability of the parents who recognised the troubling situation yet allowed their children to continue filming with Piper was also called into question. A repulsive and horrifying disregard for parental duty of care on all levels.

SCORE:

Alex's Score 8/10

GOLD AND GREED: THE SEARCH FOR FENN’S TREASURE

Wealthy art dealer Forest Fenn buried a treasure chest filled with gold, jewels and other valuables in the Rocky Mountains of Wyoming in 2010. He subsequently published his memoir, which included a 24-line poem containing clues to the treasure’s location. With the contents of the chest valued at between $1 million and $5 million USD, more than 3000 hopefuls set out find it – a pursuit that led to the tragic deaths of five treasure hunters. Public sentiment towards Fenn soon changed, with some viewing him as a trickster with blood on his hands rather than a generous genius. This three-part documentary explores the obsession of individuals who were determined to uncover the treasure and the madness that ensured as they embarked on a reckless quest for fortune.

SCORE:

Alex's Score 8/10

THE PENGUIN LESSONS

English teacher Tom Michell (Steve Coogan) takes a position at Argentinian boarding school ‘St. George’ in 1976. It’s a time of political turmoil and a coup is imminent, with thousands of people abducted from the streets never to be seen again. During a break from work, Michell vacations in Uruguay and rescues a penguin that has washed up on a beach, covered in oil. After several failed attempts to release it back into the sea, he brings the penguin, named Juan Salvador, back to the school, where he navigates the challenge of caring for his unconventional new pet. Juan Salvador soon becomes a beloved member of the campus, motivating students and serving as a confidante for the staff. Based on a true story, Michell is the type of character Coogan excels at portraying – bluntly honest, slightly irritable, and apathetic, yet with a good heart. This film is filled with humour and reflects on the simple joys of life, while highlighting the beauty of connection.

FUN FACT: Real penguin partners Richard and Baba filmed most of the penguin scenes, with a puppet and robot penguin used on occasion.

SCORE:

Alex's Score 9/10

Amanda’s Score 9/10

Steve’s score 9/10

Duncan’s score 9/10

Anne’s score 9/10

Beth’s score 10/10

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