LATEST REVIEWS BY THE POPCORN PANEL
No-holds-barred reviews of movies, TV shows, and streaming services by film and TV connoisseur Alex Cearns. 

MOANA 2

Moana is back in an action packed quest to unite displaced people who’ve been scattered across the ocean. Colourful visuals and witty dialogue abound in this fun but formulaic sequel, with Auliʻi Cravalho and Dwayne Johnson lending their voices as leads Moana and Maui. Amusing chicken sidekick HeiHei delivers much of the wholesome humor, alongside the Kakamora coconut soldier who accompanies Moana and her crew on their journey. Part musical, the songs are uplifting but won’t be remembered once the credits roll. With an incredible box office performance of $700 million worldwide, projected to soon exceed $1 billion dollars, this film certainly appeals to young viewers, but it doesn’t measure up to the emotional depth and well-rounded storytelling of “The Wild Robot”, which resonates with audiences of all ages. Take your kids.

SCORE:

Alex's Score 7/10

CARRY-ON

It’s Christmas Eve and LAX is packed with over 60,000 travellers. Transport Security Officer Ethan Kopek (Taron Egerton) gets compromised when an unnamed character (played by Jason Bateman) threatens the safety of his finance if he doesn’t let a bag containing a bo*b pass through screening. The bad guys have tapped into the airports cctv cameras and can follow Kopeks every move. A few people get kil*ed and a chaotic game of cat and mouse ensues. With many far-fetched scenes (like the one where Kopek opens the cargo hold door of a moving aircraft from the outside while it’s taxiing along the runway!) it felt a bit like a poor man’s ’Die Hard’. On the plus side, it wasn’t slow, even if the plot challenges the limits of credibility. Labeled as a thriller, it didn’t provide any thrills but check it out if you prefer action over realism.

SCORE:

Alex's Score 5.5/10

Amanda’s Score 5/10

BETTER MAN

“Fame makes monkeys of us all” proclaims the tagline for “Better Man,” the highly anticipated biopic of Robbie Williams. Director Michael Gracey (‘The Greatest Showman’) delivers with breathtaking visuals and remarkable computer-generated imagery, depicting Williams as a chimpanzee throughout the entire film. It serves as a metaphor for how Williams perceives himself – as “less evolved” than others. The integration of CGI Robbie into various real-world settings is seamless thanks to expertly matched lighting and the brilliant motion capture work of Jonno Davies. The film chronicles Williams’ journey from childhood to his meteoric rise to fame, and his subsequent downward spiral as he falls into the grip of drugs, alcohol and depression. All of his hit songs are featured and several fast paced dance numbers are smashed out with Williams’ demons riding on his back. There’s also his tumultuous relationship with his father Peter Conway and his band members in ‘Take That’ plus a lot of F and C bombs. It’s an insane ride that you wouldn’t believe was true if it wasn’t Williams’ actual life. Yes he’s an entertainer but he’s also a survivor. This has to be a shoe-in for a major special effects award or two. See it on the big screen to appreciate its epic sound and imagery.

SCORE:

Alex's Score 9/10

Amanda’s Score 8.5/10

FORTUNE FEIMSTER: CRUSHING IT

American comedian Fortune Feimster brings her third stand up special to streaming. Unlike her previous shows, this one felt more rehearsed than improvised, the latter being where she really shines. At least one of the main jokes was recycled material and some of others seemed a bit far fetched. It also had a harsher tone on occasion than her usual up-beat feel-good work, especially the stories about her primary school nemesis Becky Johnson and arguments with her wife (show executive producer) Jax. There were some bits of brilliance and a few laugh out loud moments about her honeymoon in the Maldives, being her Moms substitute husband and previously living in a haunted house. As a fan I really wanted it to be fabulous, but at most it provided moderate entertainment.

SCORE:

Alex's Score 7/10

Amanda’s Score 7/10

SOMEBODY SOMEWHERE – Season 1, 2 & 3

Recently ending (forever) with series three ‘Somebody Somewhere’ is a remarkable exploration of life’s complexities. Bridget Everett delivers a stellar performance as Sam, a character who is both imperfect and kind-hearted. Despite her self-critical nature, she consistently supports those around her while trying to find where she fits after returning to small-town Manhattan, Kansas, following the death of her sister. The dynamic between besties Sam and Joel, portrayed by Jeff Hiller, is relatable and endearing. Their engaging banter, along with the warmth of their accepting and supportive group of friends, is so conversational that you’ll forget they are acting and will wish you were a part of their inner circle, having a laugh right along with them. Each character is perfectly cast and comes into their own in the least contrived way. Funny, endearing and down to earth, the rich themes of love, loss, kindness and accepting yourself are never preachy or forced.  IndieWire crowned this the best show in 2024, an accolade it absolutely deserves. You won’t want it to end – but at the same time, you’ll be smiling that it went out on a high. An absolute must see with season three as it’s cherry on top … and tell me you don’t cry in the finale.

SCORE:

Alex's Score 10/10

Amanda’s Score 10/10

JUROR #2

Nicholas Hoult stars alongside Toni Collette and Kiefer Sutherland in this courtroom drama directed by Clint Eastwood. Hoult portrays Justin Kemp, a juror involved in a murder trial. **SPOILER ALERT** As the trial progresses, Kemp grapples with the realisation that he inadvertently caused the victim’s death by hitting her with his car after a night of drinking. This forces him to confront a moral dilemma: should he convict an innocent man or confess to his actions and risk life in prison? Collette plays Faith Killebrew, the prosecutor and newly elected District Attorney, who finds herself at an ethical crossroads due to Kemps actions. Despite decent acting and average plot, I never felt fully invested in Kemps predicament. His build up as an every day family man was lacking and there was a disconnect there for me.

SCORE:

Alex's Score 7/10

BUY NOW! THE SHOPPING CONSPIRACY

“Buy more. Waste more. Lie more.” An eye opening and confronting doco examining the tactics companies use to encourage consumers to purchase an increasing array of products. The statistics for the number of different clothing styles produced each year by several big popular brands will flaw you! Did anyone say H&M at 4,414 or Shien at 314,877? Such excessive consumption leads to substantial waste and contributes to the pollution of our oceans, the overwhelming of landfills, and exacerbates global warming. The retailers highlighted in this documentary appear to wash their hands of product wastage as soon as a sale is made, and the items leave their factory, warehouse, or store. Makes you reflect on your own purchasing decisions. Do we really need more stuff? Or another iPhone to be released every year?

SCORE:

Alex's Score 7.5/10

PIECE BY PIECE

Skilfully brought to life through the artistry of Lego stop motion and computer animation, ‘Piece by Piece’ is an inspiring autobiographical journey that celebrates the genius and accomplishments of Pharrell Williams. Opening with present day Pharrell pondering “What if nothing is new?”, as a teenager he set about creating a definitive style of futuristic beats and has since worked with some of the biggest names in the music industry – Jay Z, Gwen Stefani, Nicky Minaj, Busta Rhymes,Timberland, Snoop Dog, Justin Timberlake, Daft Punk, Missy Elliott, Kendrick Lamar, Alicia Keys, Pusha T, Stevie Wonder, and Madonna to name a few. Colourful and engaging, his story is a surprise package to the uninitiated. It will resonate with his current fanbase and introduce new audiences to his extensive array of musical achievements and successes. A hip hop and pop extravaganza for audiences over 13 years of age.

SCORE:

Alex's Score 9/10

Amanda’s Score 9/10

COLD CASE: WHO KILLED JON BENET RAMSEY

Nearly 30 years have passed since six-year-old JonBenét Ramsey was tragically murdered in her Boulder, Colorado, home by an unknown intruder. Following her death, the media extensively covered her involvement in beauty pageants, while her parents John and Patsy Ramsey faced public scrutiny and were presumed guilty in the court of public opinion – despite the Police knowing they were cleared by DNA evidence in the early stages of the investigation. This three-part documentary exposes the narrow focus of the Boulder Police Department, which spent years concentrating their efforts on the Ramseys, allowing the true perpetrator to remain at large. Tragically, Patsy Ramsey succumbed to cancer in 2006. A review of the case that began in 2023 is still ongoing, with strong advocacy for DNA retesting of several items from the crime scene, including some that have never previously been analyse. Hopefully this review will see justice served and will provide resolution for the Ramsey family. The unjust and distressing nature of their daughter’s murder is a tragedy no parent should endure, especially while facing allegations of a crime they did not commit.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 8/10

HERETIC

Hugh Grant delivers a masterful portrayal of a psychopath in this religious thriller. When Seventh Day Adventists Sister Barnes (Sophie Baxter) and Sister Paxton (Chloe East) arrive at the residence of Mr. Reed (Grant), they are unaware that they are about to be ensnared in a disturbing and manipulative game of control. The performances by all three leads are exceptional. The first half of the film builds well, with the suspense skillfully enhanced by the sharp use of sound and silence. Unfortunately the latter half is less cohesive and the plot ventures into implausible territory. Still edge of your seat stuff if you suspend belief.

SCORE:

Alex's Score 7/10

BREAD AND ROSES

This documentary highlights the bravery of female activists who are fighting the injustices perpetrated by the Talib*n in Afghanistan. Since the Talib*n’s takeover of Kabul in August 2021, the rights of women have been systematically eroded, restricting their ability to work, pursue education, and leave their homes without a male chaperone. Among these courageous women is Zahara, a dentist who risks her life organising and participating in protests for basic rights of “Bread, work and education.” The demonstrations often result in violence, abuse, and arrest, highlighting the severe risks activists face when speaking out against the oppressive measures. Hundreds of women have been ruthlessly murdered, while others have been abducted or compelled to seek asylum in Pakistan. Produced by Jennifer Lawrence and Malala Yousafzai and directed by Sahra Mani, this film presents a poignant, unjust, and troubling examination of the subjugation of women under ter*orist rule. Dire and infuriating, it’s 2024 FFS.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 9/10

MONSTERS

This series is based on the true story of Lyle (Nicholas Chavez) and Erik Menendez (Cooper Koch) who killed their parents, José (Javier Bardem) and Mary Louise (Chloe Sevigny) in 1989. The brothers initially claimed that mob-related intruders were responsible for the crimes, however the police became suspicious and they were arrested seven months later when Erik confessed to his psychiatrist. During their initial court hearing the brothers alleged that they had suffered s*xual, emotional, and physical abuse from their parents. Due to a hung jury, a mistrial was declared but at their subsequent trial, they were both convicted of first-degree murder and received sentences of two life terms in prison each. The series consists of nine episodes and the first half focuses on the details of the crime, while the latter delves into their trials. Many scenes drag on unnecessarily without adding value and this detracts from the excellent performances of the actors. With thorough editing, the series could have been condensed by 50% and resulted in more impactful and cohesive episodes. Should’ve been more interesting but it got dull.

SCORE:

Alex's Score 6/10

DON’T MOVE

At her sons memorial site in a remote national park, grieving mother Iris (Kelsey Asbille Chow) encounters a seemingly innocuous stranger named Richard (Finn Wittrock.) Despite his normal demeanour, Iris soon senses danger when Richard parks his car too close to hers, effectively trapping her between the vehicles. Seizing the opportunity he injects her with a paralytic agent that will render her immobile and unable to speak within 20 minutes. She takes off running for her life, trying to escape the psychopathic serial killer who is relentlessly pursuing her. Will she be able to make it to safety before she becomes incapacitated? This film has moderate suspense and a decent premise, peppered with a few plot holes. Overall it’s is an adequate time passer.

SCORE:

Alex's Score 6.5/10

Amanda’s Score 6.5/10

THELMA

When 93-year-old widower and grandmother Thelma Post (June Squibb) falls victim to a scam that costs her $10,000, she devises a plan to reclaim her funds. Aided by fellow senior citizen Ben (Richard Roundtree) the two embark on an adventure across Los Angeles in pursuit of the stolen money. Their journey is both poignant and humorous at times, with reminders about the resilience of the elderly, the importance of family, and the inevitability of aging. Squibb is delightful and an absolute stand out, in what feels like a saccharine Christmas movie.

SCORE:

Alex's Score 6.9/10

Amanda’s Score 6.5/10

GLADIATOR II

In the wake of his town’s destruction by the Roman army and the tragic loss of his wife, Lucius (Paul Mescal), the son of Maximus, gets captured and is forced to fight as a gladiator in the Colosseum. The city is under the rule of the tyrannical twin emperors, Caracalla and Geta, who are running it into the ground. A rebellion is brewing, yet trust is scarce as the allure of power corrupts many. Lucius battles to survive in the hope of honouring his father’s vision of a unified Rome. Featuring strong performances from Pedro Pascal, Denzel Washington, and Connie Nielsen, this action-packed sequel is a sound, if not similar in plot, follow up to its 20+ year old counterpart. The costumes are grand and the sets are stunning. The audience’s gleeful, enthusiastic reactions to the Colosseum battles serve as a stark reminder of humanity’s depravity and cruelty. Got a bit lost with the motivations of Macrinus (Washington) and cringed at the use of a real monkey chained at the neck and wearing a nappy playing Dundas. Mescal proves he can hold his own as a leading man in a blockbuster, big-budget action flick. Expect some gore, along with an abundance of sta*bings and beatings. Not perfect or intellectual but definitely entertaining.

SCORE:

Alex's Score 7.9/10

Amanda’s Score 8.5/10

VENOM: THE LAST DANCE

The final installment of Marvel’s ‘Venom’ trilogy opens with Eddie Brock (Tom Hardy) and his symbiote Venom (also Tom Hardy) on the run in Mexico. They set off for New York, only to realize they are being pursued by a Xenophage, an extraterrestrial creature who preys on symbiotes. Meanwhile, Area 51 is being decommissioned and researcher Dr. Teddy Payne (Juno Temple) is trying to investigate the purpose of symbiotes on Earth as part of a project called Imperium. She is hindered by Imperium manager and soldier Rex Strickland (Chiwetel Eniofor) who wants to capture Eddie and Venom. Adding to the mix is a free-spirited hippy family traveling in a Kombi van, led by alien-enthusiast Martin Moon (Rhys Ifans.) The bromance between Eddie and the often chaotic and impulsive Venom provides the most humour. Solid special effects, an acceptable script and decent pacing contribute to this engaging good-vs-evil super hero (or is that anti hero?) adventure. I expected to be entertained and I was. The end of an era.

SCORE:

Alex's Score 7.9/10

HERE

Uniquely filmed from a singular vantage point, this movie offers a glimpse into the living room of a century-old house that houses several generations. Starring Tom Hanks and Robin Wright Penn in a heartfelt ‘Forrest Gump’ cast reunion, it beautifully captures the ebb and flow of family life as members, couples, and children come and go. The living room evolves alongside its inhabitants, embodying many changes over time. This wholesome and relatable film may not be a big budget action flick, but it more than compensates with its strong storytelling and wonderful creativity. Nostalgic and endearing.

SCORE:

Alex's Score 8.5/10

MARTHA

This documentary spotlights Martha Stewart, a prominent American businesswoman, television personality, and author, best known for her expertise in home keeping, cooking, and entertaining. She began her career as a model before moving into catering and eventually expanded her brand into a multifaceted lifestyle empire. In addition to her business ventures, Stewart has faced various challenges, including a 5 month stint in jail after being convicted of lying to police during an insider investigation enquiry. In recent years she has tenaciously rebuilt her brand and remains a significant figure in the lifestyle industry. Whilst she doesn’t always come across as likeable, is quite possibly a narcissist, and is known for being rude behind the scenes, her standing as the first ever influencer and first self-made female billionaire in the USA is commendable. The unfettered access to Stewart in this doco, and hearing her story told through her own voice, makes this an even more interesting watch. Of note, she has since criticised the production crew for focussing on her arrest, trial and sentencing which she says was “ … not that important. The trial and the actual incarceration was less than two years out of an 83-year life.” Give it a view, take it all in and form your own opinion.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 8/10

MIDNIGHT OIL: THE HARDEST LINE

This documentary presents a collection of archival footage highlighting the extraordinary 45-year journey of Australian rock band ‘Midnight Oil’. The band faced intense skepticism about their potential for success, but went on to sell more than 20 million albums. They also earned 11 ARIA Awards and were inducted into the ARIA Hall of Fame in 2006. Renowned for their strong commitment to social justice, the ‘Oil’s’ unflinchingly addressed critical issues such as land rights, nuclear disarmament, and environmental destruction. Memorable footage includes their heartfelt ‘Sorry’ performance during the closing ceremony of the 2000 Sydney Olympic Games, the Blackfella/Whitefella tour with the Warumpi Band, a lunchtime protest concert in New York City outside the offices of Exxon Valdez, Peter Garrett’s career in politics, and their farewell concert in 2022. Forever authentic, real and relevant, watch this doco then play their anthems loud.

SCORE:

Alex's Score 8/10

APARTMENT 7A

All Terry Gionoffrio (Julia Garner) wants to do is dance, but her career is cut short when she falls during a performance. While wandering the streets of New York City, high on pain pills, she runs into an elderly couple (Dianne Wiest and Kevin McNally) who take her home to their apartment in Bramford. They offer her the use of their vacant adjoining apartment and tell her she can stay there until she gets back on her feet. Soon Terry begins experiencing unsettling dreams and peculiar occurrences at night, leading her to suspect that something sinister is at play. I found the storyline of this film to be quite ridiculous and when it ended, felt like I’d wasted my time … though mid credits it did set itself up as the prequel to ‘Rosemarys Baby’.

SCORE:

Alex's Score 3/10

INSIDE OUT 2

Set two years after the events of “Inside Out,” this sequel explores the emotional landscape of Riley as she navigates puberty. In addition to the familiar emotions of Joy, Sadness, Anger, Fear, and Disgust, we are introduced to new characters: Envy, Embarrassment, Ennui, and Anxiety, who wreak havoc in Riley’s life. When Riley has the opportunity to try out for the Firebirds hockey team she learns lessons about friendship, fitting in and being yourself. Like its predecessor, this movie does an excellent job of showing children the origins of their emotions and how to manage them effectively. With a remarkable $1.698 billion in global box office takings, it has earned the distinction of being the highest-grossing animated film of all time.

SCORE:

Alex's Score 7.5/10

Amanda’s Score 7/10

THE OFFICE: AUSTRALIA

With Felicity Ward as Hannah Howard, the dysfunctional managing director of fictional packaging company Flinley Carrick, this latest incarnation of ‘The Office’ is a pleasant surprise. The supporting ensemble (including Edith Poor, Steen Raskopoulos, Shari Sebbens, Josh Thomson, Jonny Brugh, Susan Ling Young, Raj Labade, Lucy Schmidt, Zoe Terakes, Pallavi Sharda, Claude Jabbour, Jason Perini, Christian Manon and Olga Tamara) skilfully embodies their roles as the frequently bewildered employees. While the mockumentary format, which includes frequently breaking the fourth wall, mirrors that of its British and American predecessors, the writing is refreshingly original. A female lead also gives it a rejuvenated feel. This was a remake I really didn’t think we needed and I’m happy to admit I was wrong. It exceeded my expectations.

SCORE:

Alex's Score 8.5/10

MY OLD ASS

On her 18th birthday, Elliott tries mushrooms with her two best friends and manifests her 39-year-old self. This older version, brimming with life wisdom, prompts Elliott to reflect on her family, and personal, relationships. A coming of age movie about the importance of living in the now, expressing gratitude, and finding true love. It felt a bit Hallmark in places but also had a nice balance of witty banter and funny moments. Cute and sweet.

SCORE:

Alex's Score 7/10

Amanda’s Score 7.5/10

IT’S ALL OVER: THE KISS THAT CHANGED I FOOTBALL

This documentary predominantly features unseen player interviews, providing insight into the events surrounding Spain’s triumph in the 2023 Women’s World Cup. It reveals previously undisclosed details about the circumstances before and after the team’s victory. Following the refusal of Spanish football federation president Luis Rubiales to address their demands for equality and recognition, fifteen players withdrew from the World Cup squad. Eight players eventually rejoined and contributed to the team’s success in securing the championship. When player Jenni Hermoso received her winners’ medal, Rubiales inappropriately grasped her head and kissed her, an act that sparked Spain’s own version of the #MeToo movement, known as #SeAcabó meaning “It’s all over.” With newfound visibility as world champions, Spain’s leading female soccer players united to leverage their global platform and influence, advocating for improved travel, accommodation, and wellness conditions for women in sport. Rubiales will stand trial in February 2025 for sexual assault and coercion. Inspirational and pioneering with a side order of justice.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 10/10

NOBODY WANTS THIS

This ten-episode series features Adam Brody as Noah and Kristen Bell as Joanne. They embark on a romantic relationship, navigating the challenges that arise from their different backgrounds, beliefs, and lifestyles – Noah serves as a Rabbi, while Joanne hosts a podcast focused on s*x and relationships. Filled with numerous laugh-out-loud moments, thanks to its sharp script and the impeccable comedic timing of the cast, this is a light-hearted, feel-good show that will leave you smiling. One for the romcom fans. Season two has already been secured.

SCORE:

Alex's Score 8/10

Amanda’s Score 7.5/10

DISCLAIMER

Cate Blanchett, Kevin Kline, and Sacha Baron Cohen lead in this seven-part thriller. The plot revolves around a cantankerous old man (Kline, expertly aged thanks to extensive make up) who publishes a book about his son’s untimely death after a supposed affair with Catherine (Blanchett.) The book wreaks havoc on Catherine’s marriage, damages her already fractured relationship with her son, and impacts her career. As secrets unravel, the truth gradually comes to light. I found the story to be laborious and at times, implausible. The strong cast portrayed the (mostly) unlikeable characters to perfection, especially Kline as the vengeful and unhinged Stephen Brigstocke. As a book adaptation, the banal, intrusive voice overs seemed out of place and perhaps landed better in written form – who were they all taking to anyway? It could’ve also been condensed in length. Average at best.

SCORE:

Alex's Score 6/10

Amanda’s Score 5.5/10

A DIFFERENT MAN

Aspiring actor Edward (Sebastian Stan) undergoes a radical medical procedure aimed at removing tumors from his face, which he believes will significantly enhance his life. After his transformation he begins rehearsals for a play penned by his neighbor and new lover Ingrid (Renate Reinsve.) Whilst on stage, Edward meets Oswald, an Englishman played by Adam Pearson, who lives with neurofibromatosis in real life. Charismatic and well-liked, Oswald’s self assurance perplexes Edward. As Edward struggles to reconcile Oswald’s visible differences with his own insecurities, he begins to unravel, yearning for the return of his former appearance and leading him into a descent of despair. Directed by Aaron Schimberg, this film explores self-acceptance, the idea that appearances can be deceiving, and the notion of loving yourself. Oscar worthy acting from Stan and Pearson.

SCORE:

Alex's Score 7.9/10

MR BATES VS THE POST OFFICE

This four-part miniseries explores one of the most significant miscarriages of justice in British history. Over 3,500 sub-postmasters faced technical issues with their HORIZON accounting systems – software developed by Fujitsu and implemented by the government in 2000. The system was plagued by defects that inaccurately reported financial shortfalls for which postmasters were held legally accountable. As a consequence, more than 250 individuals were charged with crimes related to theft and fraud, with several serving prison sentences. Retired sub-postmaster Mr. Bates, portrayed by Toby Jones, spent nearly two decades to exposing these injustices and clearing the names of those wrongfully accused of false accounting. Despite substantial evidence highlighting these flaws, the UK postal service steadfastly denied any responsibility for the failures of the HORIZON system and obstructed calls for resolution at every opportunity. The repercussions of this ordeal devastated lives and tarnished reputations, and the quest for justice continues for many today. This series has raised significant public awareness and prompted political action, culminating in the British Prime Minister’s announcement of increased compensation for those affected. Shocking, horrific and it would sound unfathomable if it wasn’t true.

SCORE:

Alex's Score 8.5/10

MEMOIR OF A SNAIL

Eight years in the making, academy award winner Adam Elliot (writer, producer and director) has painstakingly crafted this heartwarming and sweet stop motion animation. Set against a quintessentially Australian backdrop in the 1970’s, it focusses on misfit twins, snail lover Grace Pudel (voiced by Sarah Snook) and her fire obsessed brother Gilbert (voiced by Kodi Smit-McPhee.) With themes of life, loss and letting go, and a dose of pet Guinea pig thrown in, it’s hilarious in parts and tragic in others – often bleak but with small rays of light throughout. As Grace goes on a journey of self-discovery, you’ll resonate with the full spectrum of emotions she experiences. The meticulous attention to detail brings to life a cast of characters that range from endearing to repugnant, and the mature content is directed at adult viewers and definitely not children. A claymation masterpiece filled with depth and authenticity. Brilliant!

SCORE:

Alex's Score 10/10

LEE

The true story of larger-than-life American fashion model turned photographer, Lee (Elizabeth) Miller, played by Kate Winslet. As a correspondent for ‘Vogue’ magazine in Britain, Lee was determined to be the only female photojournalist authorised on the front lines during World War II. This film chronicles her struggles with the rampant sexism she faced in the military, her relationship with artist and gallery owner with Roland Penrose (Alexander Skarsgard), and her working partnership with ‘Life’ magazine photographer Davy Sherman (Andy Samberg). Lee’s powerful photographs documenting the appalling atrocities of N*zi death camps serve as some of the most important visual accounts from that time. After her passing in 1977, her son discovered a treasure trove of over 60,000 negatives and 20,000 photographs hidden in her attic, reinforcing Lee’s legacy as one of history’s most significant war photographers. Winslet rawly and masterfully embodies Lee’s determination, courage and resilience and is supported by a strong ensemble cast. With exceptional storytelling and impactful war visuals, this partial biopic offers a gripping historical account with a big surprise at the end.

SCORE:

Alex's Score 9/10

THE SPEEDWAY MURDERS

In 1978, the Indiana town of Springfield was deeply shaken when four young employees of Burger Chef were abducted and murdered. This true crime docu-drama explores various suspects and presents multiple theories regarding the events of that tragic night. Through eyewitness testimonials, interviews with friends and family, police evidence, and dramatic reenactments, each scenario is meticulously pieced together. Unfortunately, over 40 years later, justice remains unserved for the victims’ families, but by the end of this show you’ll draw your own conclusion about the identity of the perpetrator. Well researched and well put together.

SCORE:

Alex's Score 7/10

SWEET BOBBY

For nearly a decade, Kirat Assi thought she formed a Facebook connection with a man named Bobby Jandu. For three of those years she believed she was in a serious relationship with him. However, as time progressed, the stories shared by Bobby became increasingly bizarre – ranging from getting shot in Kenya, to claims of being in witness protection while still using his real name to communicate with family and friends, and even suffering a stroke while hospitalised. Despite the numerous warning signs, Assi remained unaware that she was a victim of catfishing, deceived by an individual impersonating Jandu. The perpetrator had also fabricated over sixty additional fake Facebook profiles to perpetuate their online deception. I won’t divulge the identity of the person responsible but you’ll be shocked by the reveal. To date, no charges have been laid for a ruse that greatly affected multiple individuals. Assi is now in the process of rebuilding her life and restoring her trust.

SCORE:

Alex's Score 7/10

Amanda’s Score 7/10

WOMAN OF THE HOUR

Directed by, and starring, Anna Kendrick, this is the chilling true story of American serial killer Rodney Alcala (Daniel Zovatto) and his appearance on ‘The Dating Game’ in 1978, a ‘Perfect Match’ style tv series. Kendrick plays Cheryl Bradshaw, who chose Alcala as her match on the show but never followed up with a date afterwards – a move that likely saved her life. A keen photographer, Alcala’s MO was to drive women to remote locations on the premise of taking their portrait. Once isolated, he’d commit horrific crimes against them. He killed his first victim a decade before his tv appearance and kept killing until his arrest in 1979. Well acted, suspenseful and harrowing, this movie exposes the depravity of Alcala, who was suspected of murdering over 130+ girls and women. Thankfully he died in prison in 2021. Trust no one.

SCORE:

Alex's Score 8/10

Amanda’s Score 8/10

KINDS OF KINDNESS

A “triptych fable” that delves into themes of control, power, and abuse, entwined through the use of repeat actors. Jessie Plemons, Margaret Qualley, and William David portray different characters in each segment. The tone is dark, weird, and unsettling. As a statement on how far people will go to fulfill their ambitions, this film pushes the boundaries of hyperbolic storytelling to the extreme. Provocative and disturbing.

SCORE:

Alex's Score 5/10

WOLFS

Two “fixers”, played by Brad Pitt and George Clooney, are thrust into a reluctant partnership when a district attorney’s hotel jaunt with a young man (Austin Adams) goes awry, resulting in what appears to be a fatal incident. Accustomed to handling matters independently, Pitt and Clooneys characters frequently clash, engaged in a relentless cycle of conflict. When it’s revealed that the young man is alive and just under the influence of drugs, the trio must unite to return four bricks of heroin that were stolen from the Albanian mafia. Although this film is meant to be a comedy, I found it monotonous and the incessant bickering between Pitt and Clooney wore me down. The plot was bland even with the twist during its dying throes. Tedious and disappointing.

SCORE:

Alex's Score 5/10

THE FABULOUS FOUR

Bette Midler (Marilyn), Susan Sarandon (Lou), Sheryl Lee Ralph (Alice) and Megan Mullalley (Kitty) are lifelong friends who come together in Key West, Florida for Marilyn’s surprise wedding. Old wounds from the past resurface and require resolution, yet ultimately friendship prevails. This movie got panned by critics but if you’re after a fun, watchable, (at times) laugh out loud funny, movie that will leave you smiling, this is for you. The quartet of polished actresses at the helm are fabulous and their duet with Michael Bolton is a delight. Expect nothing and be pleasantly surprised.

SCORE:

Alex's Score 8/10

MAXXXINE

It’s the 1980’s in Los Angeles and adult entertainment actress Maxxxine Minx (Mia Goth) lands a leading role in a B-grade horror movie. Right when she begins filming, her friends start to be murdered one by one, and she realises her life is in jeopardy. Is the culprit the notorious Night Stalker or someone from her past? Maxxxine has a fierce determination to protect herself, first evidenced when she exacts brutal eye-watering revenge on an assailant who threatens her with a knife. I was engaged in the story until the final 25 minutes when the villain’s disappointing reveal felt far-fetched. Started strong but lost its way on the home stretch.

SCORE:

Alex's Score 7/10

BLINK TWICE

Zoe Kravitz makes her directorial debut with this captivating thriller, which stars her real-life fiancé, Channing Tatum. The film revolves around a billionaire who invites a group of women and some male friends to his private island for a vacation. As the women enjoy their getaway and soak up the party atmosphere, they begin to wake up each day with unexplained bruises and scratches. Tension escalate, leading to a shocking showdown and a vindicating plot twist in the final scene. I couldn’t help but compare the island location and nefarious activities to Epstein Island, which was owned by notorious abuser Jeffrey Epstein. Worth a watch. Comes with a content warning.

SCORE:

Alex's Score 8/10

Amanda’s Score 8/10

IT ENDS WITH US

Blake Lively leads in this book adaptation about florist (Lily Bloom) who falls for charming and handsome surgeon Ryan Kincaid, played by Justin Baldoni. Everything seems perfect but soon physical “accidents” of assault begin to creep in to their relationship. Eventually Lily bravely decides to stop the cycle of domestic violence in her life. If only it was that easy every women in a similar situation. A good watch.

SCORE:

Alex's Score 7.5/10

DEAD NAME

A bigoted, short sighted and at times cruel documentary featuring parents who do not support their trans children. They refuse to correctly gender their kids and they still use their “dead names”. One parent event referred to their child as “it”. Not really sure why this doco was even made other than for the featured adults to have a complaint platform. If I’d purchased this on DVD I would’ve chucked it in the bin. Horrible people damaging their kids thanks to their small unaccepting minds.

SCORE:

Alex's Score 0/10

TREASURE

An irritating, bumbling Polish father (Stephen Fry) takes a nostalgic road trip with his adult daughter (Lena Dunham.) Complete opposites, they frequently butt heads. Ultimately they have to work through their differences. Drawn out and a tad dull, I found it hard to move past Fry’s Polish accent. Had high hopes due to the great leads but it’s a snooze fest.

SCORE:

Alex's Score 5/10

ELLEN DEGENERES: FOR YOUR APPROVAL

Comedian Ellen DeGeneres takes to the stage and shares updates on her life since being “kicked out of show business”. Her 70 minute set covers medical diagnoses, chickens, ageing, and parallel parking. Billed as her final public event, it’s funny and engaging but not side splitting, and that’s because DeGeneres is cleverly using her platform to make a valid point about the fickle nature of fame and the hypocrisy of those who tried to cancel her in the television industry. Instead of laughing raucously I was nodding my head in agreement … after all, there’s always truth in jest! DeGeneres comes across as relatable, honest and most of all kind. Good to see her on the small screen again even if only fleetingly.

SCORE:

Alex's Score 8.5/10

Amanda’s Score 9/10

JOKER: FOLIE A DEUX

The saying ‘comparison is the thief of joy’ rings true for this sequel, which pales against its predecessor. ‘Joker: Folie à Deux’ follows Arthur Dent (Joaquin Phoenix) aka the Joker, as he faces trial for murdering five people, with Harley Quinn (Lady Gaga) joining him as a new love interest. I struggled with the musical numbers and found it hard to listen to constant duets where only one of the people singing could sing. It seemed like they added in the musical elements to maximise Gaga’s talents but the film would’ve been stronger if they’d cut out her singing and dancing routines and just let her act. She was overkill for the role. The portrayal of two psychotically unstable characters as the leads was set up to manipulate the audience into feeling empathy for Arthur, but I had none. They both live in a fantasy world filled with delusions of grandeur and neither had any redeeming qualities. Some of Joaquin’s speech was hard to understand as his character mumbles. The plot was average but did set up a Batman x Joker showdown in the future. It was a bit of a drag in the middle and although I so hoped to love it, I felt disappointed at the end.

SCORE:

Alex's Score 6/10

Amanda’s Score 7/10

WILL & HARPER

Comedian Will Ferrell embarks on a road trip across the United States with his friend of 27 years, Harper Steele. As they explore old stomping grounds, and a few new horizons, they discuss Harper’s recent gender transition. Will approaches Harper’s journey with the grace, kindness, and protective spirit one would hope for from a true friend. Now at 61 years of age, Harper is finally embracing her authentic self, although she still faces moments of prejudice and the harsh, bigoted words of others have a profound impact on her. You’ll find yourself smiling one minute and shedding a tear the next as you witness Will and Harpers genuine rapport and Harpers unreconciled pain. A beautiful portrayal of acceptance, understanding and above all, love … complete with a magical “theme song” by Kristen Wiig and a wonderful soundtrack.

SCORE:

Alex's Score 9/10

Amanda’s Score 10/10

MEGALOPOLIS

This ambitious $120 million dollar passion project of writer, director, and producer Francis Ford Coppola was 40 years in the making and fully self-funded. It reflects what happens when someone with too much money doesn’t get told “No!”. Not that Coppola would care, as he clearly created this film for his own personal fulfilment. A red flag should’ve been his difficulty in securing a distributor after it screened at Cannes. The plot centres around a political power struggle, set against the backdrop of modern-day New York City which is intertwined with the Roman Empire. There are several messages and themes, incoherently muddled together. Adam Driver leads as Caesar Catilina, a futuristic architect who has the ability to stop time (which reminded me of an episode of ‘The Twilight Zone’ called ‘A little peace and quiet’ from season one, episode five.) Unfortunately even Driver’s talents cannot salvage this overly indulgent, grandiose mess. The last 20 seconds were the best of the entire 2+ hours. I considered leaving half way through and only stayed because I paid for my ticket. I expected this to be Coppola’s magnum opus but it was more of a let down than a legacy.

SCORE:

Alex's Score 3.9/10

JAILBREAK: LOVE ON THE RUN

When the assistant director of the Lauderdale County Detention Center in Alabama, Vicky White, fell for inmate and alleged murderer Casey White, she risked everything to flee with him. A huge manhunt ensued and after eleven days on the run, law enforcement finally caught up with them. Only Casey was apprehended – tragically Vicky paid the ultimate price for her decision to help him escape. True crime doesn’t come much truer than this documentary. As a former police officer I understood how profoundly deceived her colleagues felt and how unfathomable it was to them that she threw away her 17 year career, and her life, for a violent convicted felon. Their phone conversations were sordid, the ease with which they exited the jail was shocking, and their entire love story was (and still is) utterly baffling.

SCORE:

Alex's Score 8/10

SKYWALKERS: A LOVE STORY

Russian couple Angela Nikolau and Ivan Beerkus play cat and mouse games with security to climb the world’s biggest skyscrapers. Once at the top they acrobatically pose for photos, keen to build their social media following and attract sponsors for their daredevil efforts. Maybe I’m just too old for this nonsense, but I found the “stars” of this doco to be reckless and selfish. I wasn’t impressed that they accessed out of bounds areas just for clout and can probably tell you how they’ll die. Apparently it took 7 years to film but that didn’t stop it from feeling scripted – especially with their break up then make up conversations which seemed like they were included to cover off on the “love” component and to add in fake relationship jeopardy.

SCORE:

Alex's Score 6/10

DAUGHTERS

Four young girls go through a range of emotions as they prepare to attend a dad and daughter dance with their incarcerated fathers in Washington DC. This doco gives insight into the ‘Date with Dad’ program which has been running in prisons for 12 years and has seen 95% of male participants stay out of jail on release. It also shows the lasting impact a parents criminal actions have on their children. The younger girls forgive easily while the older ones are resentful and have fractured relationships with their fathers. Particularly heart wrenching was the man whose daughter could not make the dance. Slow going at first and bittersweet by the end.

SCORE:

Alex's Score 7/10

DESPICABLE ME 4

Gru (Steve Carell) works for the Anti-Villain League and helps them capture villain Maxime Le Mal (Will Ferrell.) When Maxime escapes from prison and threatens to take revenge on Gru, his entire family (including baby son Gru Jr) go on the run. Gru takes on a rescue mission with his obnoxious young neighbour Poppy, and desperately tries to stay under the radar from Maxime and his girlfriend Valentina (Sophia Vergara.) A subplot featuring the Mega Minions introduces them into the franchise. This instalment follows the similar good vs evil theme of its predecessors, making it suitable for a younger audience. It did feel a bit repetitive and same-old though, and as a result it may not engage those outside its target demographic. The prison musical number in the finale also feels slightly out of place. Fave scenes were the minions causing mayhem.

SCORE:

Alex's Score 7/10

INTO THE FIRE: THE LOST DAUGHTER

This two-part series follows a mother’s relentless journey to find the daughter she gave up for adoption as an infant. Cathy Terkanian’s strong intuition drove her to uncover the truth behind Aundria Bowman’s disappearance, a tragedy she came to learn about 21 years after Aundria went missing in 1989. Her persistent efforts to engage law enforcement played a crucial role in unravelling this mystery and subsequently brought resolution to several other unsolved crimes. The plot twists are shocking and the heinous final act delivers a strong emotional punch. Produced by Charlize Theron, who was inspired to bring this story to life after reading an article about Cathy, this show serves as a reminder that evil exists in our midst. Compelling!

SCORE:

Alex's Score 8.5/10

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